Iqbal Bano passes away

22 Apr, 2009

Subcontinent's great and Pride of Performance ghazal, thumri and classical singer Iqbal Bano died in Lahore at a local hospital after brief illness. She was 74, a private TV channel reported. Bano was born in Delhi in 1935. She won the Tamgha-e-Imtiaz (Pride of Performance) medal in 1974 for her contributions to the world of Pakistani music.
She was musically talented, with a sweet and appealing voice. From the young age, Bano developed love for music. In Delhi, she studied under Ustad Chaand Khan of the Delhi Gharana, an expert in all kinds of pure classical and light classical forms of vocal music.
He instructed her in pure classical music and light classical music within the framework of classical forms of thumri and dadra. She was duly initiated Gaandaabandh shagird of her Ustad. He forwarded her to All India Radio, Delhi, where she sang on the radio.
Iqbal Bano was invited by Radio Pakistan for performances, she being an accomplished artist. Her debut public concert was in 1957, at Lahore Arts Council, before an elite crowd. Music lovers feted her beyond imagination. With each recital, she generated more and more public appeal.
She was considered a specialist in singing the works of Faiz Ahmed Faiz. She has given such musical relevance to the ghazals of Faiz that Bano and Faiz are apparently inseparable in popular imagination. Because of Faiz's imprisonment and hatred of the Pakistani Government towards him, Bano roused a strong crowd of 50,000 people in Lahore by singing his passionate Urdu nazm, "Hum Dekhenge."
Iqbal Bano could sing Persian ghazals with the same fluency as Urdu. She was always applauded in Iran and Afghanistan for her Persian ghazals. Her recitals stick to the old classical style that lays more stress on the raag purity.
Basically a ghazal singer, Iqbal Bano has also sung many memorable Pakistani film songs. She had provided soundtrack songs for famous Urdu films like Gumnaam (1954), Qatil (1955), Inteqaam (1955), Sarfarosh (1956), Ishq-e-Laila (1957), and Nagin (1959).

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