VENICE: Nicole Kidman brought her erotic drama ‘Babygirl’ to the Venice Film Festival on Friday, saying she felt exposed and nervous as the controlled intimacy of the set gets projected onto the big screen before a global audience.

Kidman has made a string of risque films throughout her career, including Stanley Kubrick’s ‘Eyes Wide Shut’, which premiered in Venice 25 years ago. But she told reporters she was highly anxious about the reaction to her latest movie.

Kidman plays a successful New York CEO, Romy, who jeopardises both her career and her family by having a torrid affair with a young, opportunistic intern.

“Making it with these people here, it was delicate and intimate and very, very deep,” said Kidman, sitting alongside the director, Halina Reijn, and fellow stars Antonio Banderas, who plays her husband, and Harris Dickinson, her lover.

“But this definitely leaves me exposed and vulnerable and frightened … when it’s given to the world,” she added.

“We’re all a bit nervous, so I was like, I hope my hands aren’t shaking.”

Shot by a female director, ‘Babygirl’ brings a woman’s gaze to the erotic thriller genre as she explores Romy’s darkest fantasies that she cannot fulfil within the confines of her apparently successful marriage.

“I’m very delighted to be able to make a film about female desire, but it’s also a film about a woman in an existential crisis, and it has many layers,” said Reijn, whose earlier movies included the 2022 comedy horror ‘Bodies Bodies Bodies’.

‘Babygirl’ reveals profound differences in the ways younger and older generations view sex in a city where political correctness reigns.

“I think there is in general a confusion about how to … conduct yourself within sex as well,” Dickinson said, praising the work of the intimacy coordinator who helped the actors overcome their natural boundaries.

“It’s always nerve-wracking constructing a scene anyway, so then you add something intimate to it and it’s very vulnerable,” he said.

Kidman, who won the Oscar for Best Actress for her portrayal of Virginia Woolf in ‘The Hours’ in 2002, has worked with many of the leading male directors of her generation, but she said she decided some years ago to promote women filmmakers, like Reijn.

“I’m going to put my weight behind a lot of women now, in terms of directors, to try and change the ratio,” she said.

Six of the 21 films in the main competition at Venice were directed by women, including ‘Babygirl’.

Last year, five out of 23 competition movies had female directors.