AGL 40.00 No Change ▼ 0.00 (0%)
AIRLINK 129.00 Decreased By ▼ -0.53 (-0.41%)
BOP 6.76 Increased By ▲ 0.08 (1.2%)
CNERGY 4.50 Decreased By ▼ -0.13 (-2.81%)
DCL 8.70 Decreased By ▼ -0.24 (-2.68%)
DFML 41.00 Decreased By ▼ -0.69 (-1.66%)
DGKC 81.30 Decreased By ▼ -2.47 (-2.95%)
FCCL 32.68 Decreased By ▼ -0.09 (-0.27%)
FFBL 74.25 Decreased By ▼ -1.22 (-1.62%)
FFL 11.75 Increased By ▲ 0.28 (2.44%)
HUBC 110.03 Decreased By ▼ -0.52 (-0.47%)
HUMNL 13.80 Decreased By ▼ -0.76 (-5.22%)
KEL 5.29 Decreased By ▼ -0.10 (-1.86%)
KOSM 7.63 Decreased By ▼ -0.77 (-9.17%)
MLCF 38.35 Decreased By ▼ -1.44 (-3.62%)
NBP 63.70 Increased By ▲ 3.41 (5.66%)
OGDC 194.88 Decreased By ▼ -4.78 (-2.39%)
PAEL 25.75 Decreased By ▼ -0.90 (-3.38%)
PIBTL 7.37 Decreased By ▼ -0.29 (-3.79%)
PPL 155.74 Decreased By ▼ -2.18 (-1.38%)
PRL 25.70 Decreased By ▼ -1.03 (-3.85%)
PTC 17.56 Decreased By ▼ -0.90 (-4.88%)
SEARL 78.71 Decreased By ▼ -3.73 (-4.52%)
TELE 7.88 Decreased By ▼ -0.43 (-5.17%)
TOMCL 33.61 Decreased By ▼ -0.90 (-2.61%)
TPLP 8.41 Decreased By ▼ -0.65 (-7.17%)
TREET 16.26 Decreased By ▼ -1.21 (-6.93%)
TRG 58.60 Decreased By ▼ -2.72 (-4.44%)
UNITY 27.51 Increased By ▲ 0.08 (0.29%)
WTL 1.41 Increased By ▲ 0.03 (2.17%)
BR100 10,450 Increased By 43.4 (0.42%)
BR30 31,209 Decreased By -504.2 (-1.59%)
KSE100 97,798 Increased By 469.8 (0.48%)
KSE30 30,481 Increased By 288.3 (0.95%)
Featured Photos

25 Years Of Castro

25 Years Of Castro Daily Life, second prize stories 00-12-1983 25 years of Castro. A man closes the warehouse d
Published May 4, 2017

25 Years Of Castro

Daily Life, second prize stories

00-12-1983

25 years of Castro. A man closes the warehouse doors that bear Castro's quote: "Cuba is and always will be an internationalist nation".

Commissioned by: Contact Press Images

 

Photo Credit: Gianfranco Gorgoni

Gianfranco Gorgoni's photography career is tied to the history of contemporary art from the 1960's to the present time. It is interwoven with the languages of performance, conceptual, and land art, and thus remains separate from, though tangentially related to photojournalism and its static and cold images of painting and sculpture, responding, rather, to improvisation and action, to the process and the place of the photographed event. The image, captured by Gorgoni, is therefore a document of a truth that interpretes not painted or sculpted objects, but the people and actors involved; in other words, it is an instrument for entering the environment, the territory, and the landscape where the work of art or its protagonist have existed and moved about, in a well defined geographical and cultural space, in time and in history. Thus his photography does not inform or refer so much as communicate or estabilish communication with what is happening or has happened; it is a way of experiencing a spectacle, which finds in the photograph a prolongation, capable of restoring, in another way, the language of the gesture and of the body, of the action and of the context. He began to develop this technique of recording art phenomena while still a young boy, in his early experiences with photography.

 

Comments

Comments are closed.