The team behind the first of two controversial Netflix movies at the Cannes film festival on Friday defended working with the streaming giant, after a technical hiccup sparked near pandemonium at its premiere. British actress Tilda Swinton, a star and executive producer of the $50 million (44 million euro) creature feature "Okja", pushed back at criticism from jury president Pedro Almodovar, who said Netflix was undermining world cinema with its focus on small screens and home entertainment.
Swinton said she regretted that the Spanish filmmaker had "to immediately nobble (sabotage) some who have been invited to the party" by appearing to indicate on the festival's opening day that neither of the Netflix contenders should take home a prize.
"But the truth is we didn't actually come here for prizes - We came to show this film to the Cannes film festival and people who gathered here from all over the world," Swinton told reporters.
"It's all an evolutionary process and Netflix has given ("Okja" director) Bong Joon-Ho the chance to make this absolutely liberated vision a reality and for that I am so grateful." The streaming giant has refused to show both its films in the running for the Palme d'Or top prize in French cinemas, sparking a bitter row which overshadowed the start of the world's top film festival.
After his initial bombshell, Almodovar walked back the comments Friday, telling US movie website Indiewire that he had been "misunderstood". "Not me nor any member in the jury will make any distinction between the two Netflix films and the rest of the films in competition," he was quoted as saying.
"We're here to judge artistically the 19 movies that the festival has selected." Friday morning's screening of "Okja" in the festival's main Palais theatre got off to a rocky start, beginning with a late start due to heightened security measures including airport-style metal detectors and intensive bag searches. When the lights finally went down, the appearance of the red Netflix logo sparked boos and then cheers from some in the notoriously boisterous Cannes audience. Then a curtain malfunction hid the top part of the screen - including a good portion of Swinton's head - in the opening scenes. The crowd booed, whistled, jeered and clapped for several minutes to catch the attention of theatre technicians, who eventually fixed the problem and started the movie again from the beginning.
"Cannes making an A+ case for the primacy of the cinema experience this AM," the Daily Telegraph film critic Robbie Collin tweeted dryly. Red-faced organisers later released a statement taking the blame and apologising "to the director and his team, to the producers as well as to the audience".
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